This Window

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A Creative Engine

July 16, 2026

This Window can be described as a creative engine that treats the impossible as a working material — a framework where what if , never could , and shouldn’t exist are taken seriously enough to become tools. Instead of proving anything literally true, it uses the impossible as a lens: a temporary suspension of disbelief that lets you test ideas, trace emotional undercurrents, and uncover meanings that a strictly factual approach would never expose. It’s a hybrid space where sound, poetry, art-thinking, experimental method, and deliberate absurdity coexist. The poetic side provides intuition, metaphor, and atmosphere; the artistic side shapes form, perspective, and texture; the scientific impulse contributes structure, models, and constraints — even when the subject matter is surreal; and absurdity keeps the whole thing honest by disrupting assumptions and forcing new angles of thought. Free Album Downloads Hopeless is This Window’...

Modern Tools - Copicat

July 15, 2026

The Ashtray - a case study At its core, The Ashtray by This Window is built around a ¼" tape loop first created in 1981 —a fragile analogue fragment re‑entered, re‑worked, and expanded in 2026. The result is a piece that carries two timelines at once: the raw, handmade immediacy of the original loop and the colder, more sculpted sensibility of its modern augmentation. It sits somewhere between art project and sci‑fi horror vignette—a lost soundtrack cue found on a degraded VHS, half‑erased by time. The loop’s mechanical churn becomes a pulse; the added layers smear into a synthetic fog. There’s tension, restraint, and a faint sense that the machinery itself is breathing. Loops used to be fragments of accidents—tape cut too short, a sampler mis‑triggering, a machine playing slightly off its own rhythm. Even when you tried to be precise, the gear had its own opinions. It would saturate, smear, drift, and occasionally betray you. That instability wasn’t a flaw; it w...

Preview of New Release in Autumn 2026

July 13, 2026

This is an early preview of a forthcoming album planned for late Autumn or early Winter — a collection of new tracks shaped around memory, place and the small moments that stay with you long after they’ve passed. This collection looks back at ideas and half finished projects that have never been resolved, cast aside - half lost across the decades. Gathering fragments that were never dramatic or life‑altering, but quietly significant. These are the moments that nudged the work forward: a photograph, a walk, a sound, a fleeting encounter that somehow became part of a lifetime. Samantha Takes Photos grew out of a short story I wrote years ago. It recalls a simple walk in a Devon wood — the kind of place where trees feel more like stone, where time folds in on itself and the ancient becomes shorthand for now. During that walk, a sheepdog appeared from nowhere, joined us without hesitation, and gently escorted us back through a farm, all the way back to the car park. ...

Finish The Story - Tascam 144

July 12, 2026

How 4-Track Tascam 144 Cassette Recorders Changed Our Recording Adventures The Tascam 144 series (the compact 4-track cassette recorders built for straightforward home recording) helped shrink the distance between “having songs” and “having something you could share.” Instead of needing studio time, engineers, and expensive multi-track setups, bands, non-music creators, and songwriters could capture vocals and instruments where they rehearsed—then overdub their way toward fuller arrangements. That mattered culturally as much as technically: a rough demo stopped being something you kept in a drawer and became material you could trade at shows, send to collaborators, shop around with more confidence, and iterate on between practices. Because the recording process was simple, the 144 encouraged experimentation. You could commit to an idea, hear it back quickly, and fix performances—or re-record parts—without waiting for a scheduled studio block. That sped up song w...

Survival Strategies

July 12, 2026

Making Music When It Feels Like a Chore Sometimes making music feels less like fun and more like a chore. The process should be satisfying—something that pulls you forward and leaves you lighter but instead, it can feel heavy, like effort without the reward. I hate music. I hate making music. I’d rather sleep. I’d rather disappear into quiet, into rest, into the kind of peace that doesn’t ask me to be creative on command. And yet I can’t stop. It’s strange how the mind can complain loudly. I sit down, tell myself this is pointless—somewhere underneath the complaining—there’s a rhythm that won’t let me stop— press play . I open the project. I stare at the empty space where sound is supposed to be and then it happens. Maybe it isn’t enjoyment. Maybe it’s survival. Maybe it’s my oxygen— press play again . Boundaries, Breath, and Survival Strategies Art dissolves when you stop treating it like a category. Ducha...

We are in the top 50

July 09, 2026

In a world top 50 Alternative Artists Chart A Veteran of the Underground, Still Breaking Ground For decades, This Window has operated far from the mainstream — born in cassette‑culture DIY networks, shaped by lo‑fi experimentation, and defined by a refusal to follow trends. Across eras of post‑industrial noise, minimal synth, darkwave atmospherics and digital textural work, the project has always prioritised mood, texture and emotional weight over commercial polish. That history matters. Because today’s chart success isn’t luck — it’s the long arc of an artist who has quietly outlasted entire movements. Breaking Into a Global Alternative Top 50 Recent chart data confirms that This Window has climbed into a World Top 50 Alternative Artists Chart , based on website views and track plays — a rare achievement for a fiercely independent project with deep experimental roots. It’s a reminder that alternative music stil...

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