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Gone Like the Whispers of Silent Clouds

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“Gone Like the Whispers of Silent Clouds” — Video & Track Description An excerpt from This Window, recorded at Morgue Studios in 2026. “ Gone Like the Whispers of Silent Clouds ” unfolds as a drifting, half‑remembered dream — a piece that feels discovered rather than composed, like a message recovered from a damaged tape. The video fuses AI‑generated imagery with Super 8 home‑movie fragments , creating a collage that hovers between memory and hallucination. Grainy domestic 8mm film footage dissolves into shifting digital phantoms; faces blur, scenes melt and colours shift with the unstable logic of dreams. The result is a visual language that feels both intimate and uncanny, as if the past is being reinterpreted by a machine that only half understands or maybe gets it wrong. The Super 8 material brings warmth, fragility, and the unmistakable texture of analogue decay — flicker, dust, scratches, nostalgia, memories and the soft bloom of overexposed light. In contrast, t...
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This is War

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 'This Is War' – A Glimpse into 'This Window' 'This Is War' offers a visceral preview of what’s to come from 'This Window'—a band whose legacy spans decades and formats, from cassette hiss to digital clarity.  We live in a world where conflict isn’t confined to battlefields. It happens in boardrooms, in relationships, in economies, in the quiet corners of our own minds. Preparing for warfare is about readiness. It’s about refusing to be caught unprepared when the world shifts beneath your feet. To prepare for warfare is to accept three truths: The world is unpredictable. Systems fail, alliances fracture, and the ground can move without warning. People are unpredictable. Loyalties change, tempers flare, and even the strongest bonds can be tested. You are unpredictable. Your own fears, impulses, and blind spots can ambush you more effectively than any external enemy. This track doesn’t just play—it confronts, bleeds, and breathes. Love as War: A Battle...
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Location: United Kingdom
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Dance This Way

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The death of romance "Dance this Way" is a short, searing piece of emotional reportage. In just a handful of lines, it captures the humiliation of being treated as an accessory rather than a partner. The narrator’s repeated “I hate you, I really hate you” is not melodrama but the blunt edge of betrayal — the kind that happens not in grand betrayals, but in the small, public moments where someone you love makes you feel invisible. The scene is painfully familiar: a couple arrives together at a favourite bar to see a favourite band — a shared ritual. But instead of sharing the night, the man abandons his partner to socialise with his friends. When he does return, it’s not to reconnect, but to issue a command: “dance this way.” The woman is reduced to a performer, summoned at will, her emotional state irrelevant. When she cries, he laughs. The dream — of romance, of mutual respect — collapses in that instant. Objectification The man’s behaviour treats th...
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Location: United Kingdom
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Don't Think I Can Make It

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A fractured transmission across sound and image Don't Think I Can Make It by This Window is a sonic and visual meditation on disconnection, delay, and the quiet collapse of communication. The track pulses with electronic textures that drift in and out of clarity—like signal interference on a long-distance call—while a thumping drum line anchors the listener in a bodily rhythm, a heartbeat beneath the static. Free Download The vocal narrative is not sung but spoken, dissected fragments from a voicemail. Phrases such as "Hope all is well" , "We'll try to connect later" , "I don't think I can make it" , and finally, "Ciao" —are delivered with clinical detachment, yet they carry the emotional weight of absence. These lines also appear in the track Ciao Again by This Window, suggesting a thematic echo or recursive loop in the artist’s work which was released on The Sampler #05 (CD). The accompanying video draws inspiration from Robert Ra...
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Crash '87

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Crash '87 - Discogs Release Information Track: Crash ’87 Artist: This Window   Release: Appears on the cassette Extraction (1989, EE Tapes, Belgium) 1 Format: C40 Chrome Cassette, experimental/industrial/abstract Compilation Context: The track is part of a body of work that merges sound collage, dark ambient textures, and conceptual art. The cassette itself is a curated sequence where tracks bleed into one another, resisting discrete consumption and instead demanding immersion. Crash ’87 is not a standalone single but embedded in a larger experimental release that foregrounds fragmentation, layering, and the instability of recorded media. The accompanying video, shows a mouse in the palm of hands and links to The Genetics of Art and the National Mouse Club 2 . The mouse becomes both a literal and symbolic subject: a fragile, living creature held in human hands, and simultaneously a metaphor for control, breeding, and manipulation. In the context of Crash ’87 , the mouse ima...
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She Wolf

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She Wolf by This Window is a haunting, powerful anthem of feminine strength and primal loyalty. With the evocative line “Not born from God but from the earth. I am a she wolf and I protect my family,” the track channels the spirit of a woman forged not by divine decree but by raw nature—fierce, grounded, and unapologetically protective. This is the story of a beautiful young woman who stands guard over those she loves, not out of duty but instinct. Her strength is not ornamental—it’s elemental. The music pulses with tribal rhythms and cinematic tension, echoing the heartbeat of someone who knows what it means to fight for love, to howl against injustice, and to remain wild in a world that demands tameness.   The Mythic Pulse of “She Wolf” Elemental Identity : The protagonist is not a passive figure of beauty or grace. She is a creature of the wild—feral, maternal, and unyielding. Her power doesn’t seek permission; it emerges from the ground she walks on, the breath she exhales,...
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Location: United Kingdom
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Where Is My Jesus

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“Where Is My Jesus?” by This Window is a haunting, experimental track recorded in 2008 at Morgue Studio. The song is known for its stark, minimalist instrumentation and emotionally raw delivery. The vocals are described as “stony” and the guitar “slithering,” creating a mood of spiritual dislocation and yearning. You can explore its sonic texture of the original mix on  YouTube . Mood and Lyrical Style The lyrics of Where Is My Jesus unfold like a scorched sermon—part lament, part indictment. With lines like “Where is my Jesus? Where did he go?” , the song opens as a spiritual dirge, but quickly mutates into a political mantra. It’s democracy refracted through betrayal, commerce, and crucifixion. The invocation of “a dollar or a pound of flesh” evokes Shakespearean debt and neoliberal decay, while “He threw out the money lenders. Created a stock market crash.” reimagines biblical rebellion as economic sabotage. Stylistically, the lyrics are sparse yet loaded—each phrase a jagge...
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