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Leonard Cohen’s Favourite Games

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Review: “Lay Back” – This Is War “Lay Back” unfolds like a half-lit confession, its pulse slow and deliberate, as though each beat is a breath taken between memories. The track doesn’t just reference Leonard Cohen’s Favourite Games and Beautiful Losers — it seems to inhabit their rooms, borrowing the scent of their cigarette smoke and the weight of their silences. It feels less like homage and more like a continuation of the same emotional architecture: a place where intimacy is always shadowed by doubt, and where desire is never cleanly separated from the ache that follows it. The vocal delivery is intimate yet detached, a voice speaking from the edge of a bed at 3 a.m., where desire and disillusionment lie tangled in the same sheets. There’s a sense of someone trying to articulate something fragile without letting it break in their hands. The instrumentation is sparse but deliberate — synth tones and low, percussive murmurs that feel like the hum of a radiator i...

Fractured Messages and the Art of Interference

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Broken signals in horror and paranormal TV turns static into meaning—messages arrive warped and never whole, inviting viewers to finish the sentence. Never finish the story – what is the narrative? Every genre has its shortcuts to emotion. Horror films lean on shadows. Paranormal TV leans on suggestion. But one device cuts across all of them: the broken signal. A message that arrives damaged, incomplete, or warped — something that feels like communication but refuses to settle into certainty. On shows like Help! My House Is Haunted , the technology is half the theatre. Scanners sweep radio frequencies, software isolates static, and investigators listen for anything that might resemble intention. A clipped syllable becomes a warning. A hiss becomes a sigh. A burst of interference becomes a voice from the dead. The audience is invited to finish the sentence, to supply the missing pieces, to believe that meaning can be extracted from noise. The message is never whol...

Analogue Swell Between Two Waves

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Between Two Waves Between Two Waves drifts in on a slow analogue swell, its synth tones rising and folding like a tide gathering intent. The opening carries that familiar Woolacombe hush — the suspended moment before a set rolls in, when the sea seems to inhale. It’s a weightless pulse, the same poised stillness felt sitting on a board just beyond the break, waiting for the Atlantic to decide what comes next. Hopeless 1989 - 2026 by This Window Download For Free Gradually, the pulse tightens. Layers thicken. The sound begins to lean forward, mirroring the way a wave starts to steep and harden, pulling its energy into a single line. Living in Woolacombe — a place where the ocean doesn’t simply arrive but asserts itself — teaches you to read that shift. Calm surface becomes gathering power, and the track follows that same physics. What begins as a drifting shimmer locks into a 120bpm surge , the moment where the wave stands up and everything accelerates. A pounding k...

Performance in Venice

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This Window occasionally releases pieces exclusively on YouTube , and this is one of those small, self‑contained vignettes: a field‑recorded fragment shaped into music. The city’s natural acoustics, the soft resonance of the lagoon, and the unpredictable rhythm of daily life form the backbone of the track. It’s less a composition and more a document — a brief, unrepeatable intersection between place, sound and time. A Rare Performance in Venice A moment captured in Venice, where the city itself becomes the instrument. The bells you hear are not effects or samples – they are the living soundscape of Venice in full voice. Piazza San Marco (St Mark’s Square) is the heart of the city, known locally simply as the Piazza . It has long been the centre of Venice’s social, religious and political life, and its daily soundtrack is a shifting cacophony of bells, footsteps, voices, and water echoing through stone. Watch the performance: Venice Highlights Venice is saturated w...

A Facebook Video Interview

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Three Questions and Answers I have been asked many times over the years about the methodology and history of This Window . The project has moved through cassette culture, DIY experimentation, analogue tape, digital rendering, and all the strange transitions in between. To make things easier, here is a short Facebook interview that answers three of the most common questions people have asked. The questions are delivered by an AI voice, which feels appropriate for a project that has spent decades wrestling with machines, tape, noise, and shifting technology.

Track inspired by Wistman's Wood

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This Killing Thing (Live) and the ecological context of Wistman’s Wood The lyrics for this track were inspired by a visit to Wistman’s Wood in the late 1970s. Even back then, its environmental and cultural importance was well recognised, as it’s one of the most significant remaining fragments of Britain’s Atlantic temperate rainforest . Although small in extent, the wood represents a rare continuity of pre‑Neolithic forest ecology and provides a useful framework for understanding the track’s atmosphere, instability, and sense of impending destruction. This track is in many ways about man's impact on the environment - 'This killing thing inside this machine' -   we are, in fact, the killing thing. Where pitted stone becomes knotted oak... This Killing Thing (Live) captures This Window at their most unfiltered: a moment where chaos isn’t just present, it’s the entire accidental aesthetic. The mix is still being wrangled, the sound engineer is fighting a losing battle...

3mm Philips-Type Eurorack Screws

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Morgue Studio: Modular Upgrade & A Small 1990s Discovery Following the recent upgrade of Morgue Studio’s modular synth racks — with new modules from Moog, Doepfer, Behringer and Rakit — an unexpected find surfaced during the tidy-up. A box of 3 mm Philips-type screws, untouched since the late 1990s, was discovered at the back of a storage drawer. These screws are the classic Eurorack size, ideal for mounting modules or replacing worn fasteners. There is a surplus, so if you need a few for your own rack builds or repairs, you are welcome to grab some while they are available. This Window free download series This small piece of studio history sits alongside the ongoing This Window free download series on Bandcamp, which opens up the archive and shares material recorded across several decades. The latest release, Hopeless 1989 – 2026 , is a free five-track digital compilation that serves as an introduction to the world of This Window, trac...