This Window

An Origin Story   An English Eccentric - 1980/81 by This Window This archive album offers a glimpse into the condition of being a musician in limbo — the comedown no one talks about. “But the noise always stops. You go home. That’s when the imbalance hits hardest. Normality becomes the real threat — the quiet space where the adrenaline drains away and the demons start organising themselves. That’s the part no one warns you about.” Between 1980 and 1981, Peter Bright was moving between several gigging bands — T.34, In A Glass Darkly, and Finish The Story — each with its own aesthetic pull. The recordings gathered here were made in the gaps between those commitments: late‑night sessions, post‑rehearsal decompressions, and the strange, suspended hours that sit just outside performance. View Digital Albums To understand these recordings, you have to understand where This Window came from. The project began in the 1980 as the personal, experimental outlet of UK musician Peter Bright , ...

This Album is completely free - no registration or email address required Hopeless 2007 - 2026 by This Window Free Download Hopeless 2007 - 2026 - Free!! This is the second instalment in This Window’s ongoing series of free digital compilations on Bandcamp — a set of open‑door releases designed to give new listeners a way into the project’s vast, shifting catalogue. Where the first Hopeless collection mapped earlier terrain, this volume focuses on the nineteen years between 2007 and 2026, a period marked by constant experimentation, changing tools, and a restless search for new ways to shape sound. Across these tracks you can hear the project’s roots in cassette‑culture aesthetics — the rough edges, the tape hiss, the handmade feel — gradually intertwining with more contemporary digital methods. This Window has always been a project that treats recording itself as part of the art, and this compilation makes that evolution audible. Analogue fragments sit beside digitally sculpted piec...

The Cock by This Window Taken from a forthcoming album, The Cock blends together audio source material recorded throughout the 1980s — fragments captured on compact cassette, ¼‑inch reel‑to‑reel tape, and even a VHS handheld video camera. In 2026 these elements were pulled back into the light and rebuilt inside a new project using an older DAW, Cubase Studio 4 (version released in 2007) giving the piece a strange mix of analogue grit and early‑digital workflow.  Pumping synth pulses throb like a buried heartbeat, while a lone cockerel crows somewhere in the background — a ragged echo from a world long gone. It feels like an archaeological dig in sound: the unearthing of a chicken that once was somebody’s lunch, now elevated to relic status. A forgotten scrap of everyday life, resurrected through tape hiss, broken circuitry, and the accidental poetry of decay. Free downloads and more music: https://thiswindow.bandcamp.com/ The Cock feels like opening a sealed time‑capsule from ...

Limited Offer... Fill in the form below for your free download of This Is War — the new 2026 album by This Window , provided exclusively via Bandcamp. This is a limited giveaway , so it’s strictly first come, first served . This Is War is a nine‑track darkwave/post‑punk release built from analogue electronics, stark minimalism, and the unmistakable DIY edge that has defined This Window since the early cassette‑culture days. Written and recorded at Morgue Studios (Devon) between 2025–2026, the album captures a raw, restless energy: fractured beats, cold synths, and a sense of tension that never quite resolves. Featuring tracks such as “This Is War,” “Lay Back,” “Blue Eyes,” “Where Is My Jesus?” and the 2026 re‑imagining of “Is It A Dream” , this release sits firmly in the lineage of experimental UK underground music — uncompromising, atmospheric, and fiercely independent. This free‑download offer applies to the album here:  This Is War

Extractivism 2 — This Window Extractivism 2 gathers a new set of unreleased material from This Window , alongside rediscovered fragments and freshly reworked pieces. It marks another turn in the long, shifting trajectory of a project that has lived on the outer edges of experimental music since the early 1980s. Born out of the UK’s cassette‑culture underground, This Window has always occupied the margins: part post‑industrial, part minimal synth, part sound‑art, part lo‑fi experiment. Across decades of tapes, vinyl, CD‑Rs and digital releases, the project has remained stubbornly independent, favouring texture, atmosphere and emotional undercurrents over conventional structures. The tools and surfaces have changed—from rough four‑track recordings to more sculpted electronic work—but the ethos has never moved: intimate, handmade, exploratory. Extractivism 2 continues that lineage. These tracks—newly uncovered, re‑edited or reimagined—trace the project’s ongoing evolution while retainin...

Crash ’87 is more than a track—it’s a node in a network of ideas about fragility, control, and collapse. The Kimura Gallery (University of Alaska) exhibition amplified this by situating the work in a space where sound, image, and philosophy converge, turning a small mouse into a profound meditation on power, vulnerability, and the genetics of art. This video was made in homage to that exhibition in 2025. Get Track Here The remixing of a 1981 track Crash ’26 channels the enduring DIY spirit of home taping into a deeply reflective and time-warped experience. It approaches the past not as mere nostalgia but as fertile raw material: the gentle hiss of ageing tape, the textured grain of home-built studio experiments, and the fragile warmth of recordings first captured in 1981 are all resurrected and reimagined under the luminous glow of 2026’s digital era. Crash '26 stands as a quintessential This Window homage to the homemade, artscape music of the 1990s 'Cassette Culture'....

  “ Is This Custer’s Last Stand? ” arrives like a warning flare — a jam‑packed jamboree of big, room‑shaking drums and overdriven guitars, all pushing forward with a kind of ragged determination. The vocal doesn’t shout; it asks. Almost under its breath, almost to itself: is this truly our last stand. The track sits somewhere between protest song and apocalyptic chant. The lyrics circle around collapse, identity, and the uneasy sense that history repeats whether we want it to or not. "as bottles on the racks are all full, inscribed with names but all faceless…” — a line that feels like a whole civilisation has been preserved, catalogued, and depersonalised. Extractivism by This Window The title nods toward the Battle of the Little Bighorn — Custer’s Last Stand — a moment mythologised, misremembered, and endlessly repurposed. But here it’s not about 1876. It’s about now: the sense of being outnumbered by events, outpaced by change, pushed to the edge of something we can’t quite nam...

This Album is completely free - no registration or email address required Hopeless 1988 - 2026 by This Window Hopeless 1988 - 2026 - Free!! Free Download This free digital compilation on Bandcamp, created as an open‑door introduction to the world of This Window. It gathers material recorded across nearly four decades, tracing the project’s evolution from its earliest cassette‑culture experiments to its current digital work. The tracks span sessions made on compact cassette and ¼‑inch reel‑to‑reel tape through to computer‑based recording and rendering. Heard together, they form a quiet documentary of changing methods, technologies and aesthetics — from analogue hiss and tape saturation to the cleaner, sculpted edges of digital production. Rather than a “best of”, it’s a cross‑section: fragments, sketches, finished pieces and recovered moments that map the shifting sound of This Window from 1988 right up to 2026. As a free download, it offers a simple way for new listeners to step into t...

  The Goat — A Study in Outsider Compilation Culture Buy On Discogs A Various‑Artists Release With a Curatorial Edge Although technically a “Various Artists” release, The Goat feels curated rather than assembled. Each track contributes a distinct texture — from abrasive electronics to lo‑fi guitar sketches, from rhythmic experiments to atmospheric drift pieces. The sequencing is deliberate: the compilation moves like a mixtape made by someone with a deep affection for the obscure and the overlooked. Rather than smoothing the edges, the release celebrates them. The result is a portrait of a scene that doesn’t quite exist in one place, but emerges through shared sensibilities: independence, experimentation, and a refusal to conform to commercial expectations. Side A   A1. Mike Shirra with P.B. – Tonight A2. This Window – A Collection Of Pieces Of Tape Edited Together Side B   B1. Selfs Without Shells – Lived You Before B2. Selfs Without Shells – 2000 Years B3. S...

Cassette Culture transferred to CD in 2005 This is a genuine, factory‑pressed CD — not a CDr.The material was first issued in 2005; this edition is a strictly limited run of 50 copies. The cover artwork is a stripped‑back variant of the original commissioned design, created specifically to echo the minimalist, hand‑assembled aesthetic of the early This Window cassette culture releases.  Buy Here Tracklist & Recording / Release Dates Trapped In The Hometown - FTS - 1990 (3.45) Don't Think I Can Make It - TW - 2002 (1.55) Ciao Again - TW - 2005 (2.50) A Moment Longer - TW - 1996 (3.21) Crash87 - TW - 1989 (0.48) Playing At Life - FTS - 1985/86  (3.08) Solace - FTS - 1990 (4.06) Like A Sickle Runs Through Corn - FTS - 1985 (3.02) Naked - TW - 2005 (3.25) Nepal - TW - 1989 (4.37) Ripples In The Water - FTS - 1985 (1.15) Reviews “Finish The Story are one of Worcestershire's lost bands. Sinister, brooding, icy, haunting and ethereal - their music was like nothing else at the tim...

This Is War by This Window A track from ' This Is War ' an album that was written and recorded at Morgue Studio (Devon) between 2025 and 2026. All tracks were mixed down April - May 2026. “This Is Not The Way It Should Be” — A Slow‑Burn Lament with a Reggae Pulse “This Is Not the Way It Should Be” is built around a warm, reggae‑inflected bassline played by Peter Bright , the track’s low‑end rolls forward with a quiet insistence, pushing against an arrangement that otherwise leans toward gothic minimalism . That tension — warmth beneath coldness, movement beneath stillness — becomes the song’s emotional engine. The instrumentation is deliberately sparse. Skeletal percussion keeps time like a heartbeat heard through a wall. Shadow‑leaning synths drift in and out of frame, more presence than melody. An angry piano chord punctuates the mix, a flash of human frustration in an otherwise subdued landscape. Over it all sits a vocal delivery that is sad, stark, and unmistakably Cohe...

There's plenty of life left in these old dogs... This Window has been around the block more than a few times on this mad, decades‑long creative journey — from cassette‑culture experiments to digital‑age reinventions. Yet somehow, against all logic and trend cycles, this eccentric, outsider strain of sound still resonates. Proof landed today: This Window has broken into a global Top 100 chart of alternative artists , a reminder that true independence and stubborn originality can outlast entire musical eras. Not bad for a project that was never supposed to fit neatly anywhere. This Is War by This Window This Window returns with This Is War , a compact, bruising collection that condenses the project’s restless experimentalism into nine tracks of darkwave, post‑punk, and analogue electronics. The album moves quickly — nine songs in just over half an hour — but each cut is carefully sculpted, trading immediate hooks for atmosphere and a sense of con...

This Is War by This Window This Is War This Window returns with This Is War , a compact, bruising collection that condenses the project’s restless experimentalism into nine tracks of darkwave, post‑punk, and analogue electronics. The album moves quickly — nine songs in just over half an hour — but each cut is carefully sculpted, trading immediate hooks for atmosphere and a sense of controlled unease. [^1] Recording and Production The majority of This Is War was written and recorded at Morgue Studios in Devon across 2025 and 2026. The sessions yield a record that feels both intimate and deliberately claustrophobic: synth textures and analogue grit sit close to the listener, while guitars and percussion are often mixed to accentuate tension rather than release. All tracks were mixed down in April–May 2026 , and the album was released in late May 2026. These production details help explain the record’s tight, immediate sound and its consistent tonal palette. [^1] Sound and Themes This ...

The Sampler #05 M4tr004 A joint release by This Window & Finish The Story Originally issued by M4TR Productions, 2005 A bridge between decades, The Sampler #05 gathers together the shadows, textures and raw emotional fingerprints that define This Window and Finish The Story . Buy Here A Rare Opportunity To Purchase A Collectable CD This is a genuine, factory‑pressed CD — not a CDr. The material was first issued in 2005; this edition is a strictly limited run of 50 copies. The cover artwork is a stripped‑back variant of the original commissioned design, created specifically to echo the minimalist, hand‑assembled aesthetic of the early This Window cassette culture releases. Tracklist & Recording / Release Dates 1/ Trapped In The Hometown - FTS - 1990 (3.45) 2/ Don't Think I Can Make It - TW - 2002 (1.55) 3/ Ciao Again - TW - 2005 (2.50) 4/ A Moment Longer - TW - 1996 (3.21) 5/ Crash87 - TW - 1989 (0.48) 6/ Playing At Life - FTS - 1985/86 (3.08) 7/ Solace - FTS - 1990 (4.06)...

Extraction 1989 by This Window Downloads Extraction — originally released by EE Tapes (ET06) in 1989 — returns here as a digital transfer from the original master tape . The material itself has a strangely archaeological quality: fragments literally gathered from the studio floor, lengths of ¼” tape spliced together , threaded through whatever machines were at hand, and mixed in a semi‑random, instinctive manner. Some of these sounds reach even further back, with source elements dating to 1978 . This download is sourced from the original master. Extraction pt.1 has been edited for language compliance, making this version suitable for all ages. Review of original cassette release: ★ THIS WINDOW – “EXTRACTION” (EE Tapes, Belgium, 1989) C60 / experimental electronics, tape‑manipulation, post‑industrial ambience There’s a peculiar tension running through Extraction , the sort of uneasy stillness you only get when someone has spent far too long alone with a reel‑to‑reel machine. This Win...

This is not a complete list more can be found on Discogs Below is a selection of other official releases by This Window , covering the project’s audio‑cassette compilation output during the 1980s and 1990s. Much of This Window’s early work emerged directly from the cassette‑culture underground , a decentralised, fiercely independent network of artists, labels and home‑recordists who exchanged music through the post. These tapes were often duplicated on domestic equipment, packaged by hand, and circulated via mail‑order lists, fanzines and word‑of‑mouth. The movement blurred the lines between sound, visual art and DIY publishing — a perfect environment for This Window’s experimental, textural approach. Alongside cassette culture, the project was also connected to the mail‑art movement , where artists traded handmade artworks, collages, sound pieces and ephemera across international postal networks. Releases often travelled the same routes as mail‑art exchanges, reaching listeners, colla...

Extractivism by This Window Downloads She Wolf by This Window is a haunting, powerful anthem of feminine strength and primal loyalty. With the evocative line “Not born from God but from the earth. I am a she wolf and I protect my family,” the track channels the spirit of a woman forged not by divine decree but by raw nature—fierce, grounded, and unapologetically protective. Extractivism by This Window This digital album brings together a collection of new tracks that have never been released before, alongside rediscovered pieces and fresh remixes. It offers a new chapter in the long, shape‑shifting story of This Window — a project that has existed on the fringes of experimental music since the 1980s. Formed within the UK’s cassette‑culture underground, This Window has always operated in the borderlands: part post‑industrial, part minimal synth, part sound‑art, part lo‑fi experimentation. Across decades of tapes, vinyl, CD‑Rs and digital releases, the project has remained defiantly in...

Dance This Way by This Window Dance This Way by This Window is now available to download. Downloads Dance this way. Not a request — a command dressed as charm. A man moves through his evening as if it belongs solely to him. His girlfriend is not a companion but an accessory — something to position, display, or activate when it flatters his mood. She becomes part of the room’s furniture, folded into his social performance rather than invited into it. The power dynamic is quiet but unmistakable: the unspoken click of the fingers, the expectation that she will fall into step, smile on cue, dance when summoned. What looks like intimacy is really choreography. What he calls a relationship is closer to possession. We have reverted back to the Victorian era... Victorian attitudes toward women—where femininity was prized for its decorative and submissive qualities—continue to echo in modern society. The poem “Dance this Way” exposes this lingering toxicity: a woman reduced to a prop in a man’s...

Extractivism by This Window Listen Here Gone Like the Whispers of Silent Clouds began life as a soundtrack fragment — an extract recorded at Morgue Studios in 2026 for a short experimental video. Built around flickering Super 8 home‑movie footage and digital imagery, the piece mirrors the film’s drifting, dreamlike collage: half‑memory, half‑hallucination, always on the edge of dissolving. Gone Like The Whispers Of Silent Clouds from Extractivism by This Window   Musically, it occupies the borderlands where darkwave, minimal synth, post‑industrial and experimental gothic overlap. The foundation is a slow, deliberate pulse: brooding synth beds, cold atmospheres, and vocals that lean toward spoken word rather than song. The arrangement stays sparse and intentional — minimal electronics, icy textures, and non‑pop structures that echo the ethos of the 1980s cassette‑culture underground. Instead of building toward a hook, the track unfolds like a mood‑study: an audio vignette shaped ...

Extractivism by This Window Listen Here Misogynist, a track by This Window, was recorded around 2010, and the piece sits in that uneasy space where affection, resentment, and misread intentions blur into one another. Relationships often carry that dual charge — love and frustration, tenderness and volatility — and when the emotional weather turns unclear, people can end up misjudged or mislabelled. The weight of the word The title carries its own history. Misogynist comes from the Greek misogynḗs — miso- meaning “hatred” and gynḗ meaning “woman,” with the English suffix -ist indicating “a person who does something.” In modern use it can describe entrenched prejudice against women, but the track plays with the tension between accusation and misunderstanding. It hints at how quickly a person can be branded with a word that may not reflect the deeper, more complicated truth of a relationship’s dynamics. Extractivism -  a 2026 album from This Window This digital album brings together a...